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filler@godaddy.com
"Borrowed Lines" is a series of paintings that draws inspiration from the history of Japanese Boro textiles, once worn by peasants who repurposed and transformed old garments into beautiful patchwork masterpieces. Much like the resilient spirit of Boro, these paintings are an exploration of the beauty found in the discarded and the forgotten.
The title, "Borrowed Lines," expresses the essence of this collection. It
reflects the notion of borrowing from the past, not only in the physical sense
of layering paint on top of old boards but also in the deeper connection to the
stories and experiences embedded within those layers. Just as Boro textiles
tell tales of the wear and tear of everyday life, these paintings carry the
history of their earlier incarnations, creating a visual narrative that spans multiple layers.
The technique employed in this series involves painting on top of old boards, sometimes repeating the process up to three times. This layered approach mirrors the traditional craft
of Boro, where textiles were patched and stitched together, creating a composition
from disparate elements. The act of repurposing old paintings adds
depth and texture and also pays homage to the sustainability inherent in the Boro tradition.
An integral part of "Borrowed Lines" is the encaustic technique, which involves using
heated beeswax mixed with pigments. This method enhances the tactile
quality of the paintings and symbolises the transformative nature of the
creative process.
"A grey grid".
121 x 81 cm.
Encaustic and oils on birch ply.
"Yellow grid".
81 x 61 cm.
Encaustic and oils on birch ply.
"White cross".
81 x 61 cm.
Encaustic and oils on birch ply.
"Ochre Stripes".
61 x 41 cm.
Encaustic and oils on birch ply.
"Light Blue with Hatch".
61 x 41 cm.
Encaustic and oils on birch ply.
"White Lines".
61 x 41 cm.
Encaustic and oils on birch ply.